NoSoloTrivial


The questions

Here you will find all the questions ordered by difficulty according to the number of times thay have been gotten right     

         The more questions played and answered, the more precise will be the order

Now there are 205877 questions. If you wanna sugest any, tell us.




# Questions right answered times answered percentage
100601. Music Term: (Gk., 'new') - A prefix indicating a new interest in older styles (e.g. neo- romantic refers to composers in the 20th century writing in the romantic style). 1 1 100
100602. Music Term: - Describes a trend, especially in the 1920's, characterised by its use of the concerto grosso technique, contrapuntal writing and avoidance of emotion. Neo-classical composers included Stravinsky and Hindemith. 1 1 100
100603. Music Term: - (I) In the early 17th century this described the new expressive music; (2) Between 1850 and 1900 it described the new music of Wagner and Liszt as opposed to the more traditional music of Brahms; (3) Today it refers to music by contemporary composers. 1 1 100
100604. Music Term: (It.) - Nothing. A niente, to nothing. Used after a diminuendo symbol to indicate the sound dying away entirely. nobile, nobilmente (It.) - Noble, nobly. 1 1 100
100605. Music Term: - A night piece with two main meanings: (1) In the 18th century this was a composition close to a serenade for several instruments and movements. (2) In the romantic period it was a short Iyrical piece in one movement for piano (e.g. by Chopin). noel (Fr., 'Christmas') - A Christmas carol. non (Fr. and It.) - Not. 1 1 100
100606. Music Term: - A note which is not part of the chord with which it sounds. This could mean a passing note or an appoggiatura. 1 1 100
100607. Music Term: (It., 'changed note') - A contrapuntal device whereby a dissonant note is used when one expects a consonant one. 1 1 100
100608. Music Term: - Written music, by ordinary staff notation symbols or graphic representation or simply by letter-names (e.g. the tonic sol-fa. 1 1 100
100609. Music Term: - The performance of a group of adjacent notes simultaneously on the piano, e. g. with the forearm or a piece of wood. Pioneered by Cowell in 1912 and used by Ives. Also known as tone cluster. 1 1 100
100610. Music Term: - This occurs in 20th century serial music, also called dodecaphonic music or twelve-note music. It is the order in which the composer chooses to arrange the twelve notes, which serves as the foundation of the composition. novelette (Eng.) or novellette (Ger.) - A short, instrumental, romantic piece. The term was first used by Schumann for a piano work in 1848. 1 1 100
100611. Music Term: (It., 'obligatory') - An obbligato part is one which has an important and unusual special role and cannot be dispensed with, as opposed to an optional part. However, in some l9th century music, the term obbligato was applied to an additional optional part. 1 1 100
100612. Music Term: - Describes the movement of parts or melodies when one remains on the same note and the other moves in some direction. 1 1 100
100613. Music Term: - The interval of eight steps (e.g. C to C on the white notes of the piano). 1 1 100
100614. Music Term: - A composition for eight voices or instruments, or simply eight people. 1 1 100
100615. Music Term: - The setting of a poem entitled 'ode' to music. 1 1 100
100616. Music Term: (Ger.) - Without. 1 1 100
100617. Music Term: - Abbreviation of Latin opus, work. Used as a publishers' catalogue system to indicate the order in which a composer's works have been published. The higher the opus number, the later the music was published in a composer's lifetime. 1 1 100
100618. Music Term: - A drama in which all or most characters sing and in which music is an important element. Early composers of opera include Monteverdi and Purcell. Other composers are Mozart, Beethoven, Rossini, Donizetti, Verdi, Wagner (who preferred the term music drama), Puccini, and in the 20th century, Berg and Britten. 1 1 100
100619. Music Term: (Fr.) - A light, often satirical opera or operetta (e.g. by Offenbach). 1 1 100
100620. Music Term: (It.) - A comic opera especially in the 18th century (e.g. by Pergolesi). 1 1 100
100621. Music Term: (Fr.) - This term describes comic opera but has two special meanings: (1) A type of French comic opera with spoken dialogue, lighter than current serious operas in the 18th century; (2) An opera, comic or otherwise, with spoken dialogue (e.g. Bizet's Carmen in the l9th century). 1 1 100
100622. Music Term: (It.) - Serious opera and opposite of opera buffa. This term is especially applied to the flourishing 18th century style as used by Rossini. Characterised by the use of castrato singers, heroic or mythological plots, Italian libretti and formality in the music and action. 1 1 100
100623. Music Term: - A stage work giving more or less equal importance to opera and ballet (e.g. the works of Lully and Rameau in France in the 17th and 18th centuries). 1 1 100
100624. Music Term: - A stage work involving elements of both opera and oratorio (e.g. Stravinsky's Oedipus Rex). 1 1 100
100625. Music Term: (It., 'little opera') - A term applied in the l9th century to lighter styles of opera involving dialogue. Composers included Offenbach, Johann Strauss and Sullivan. This style is sometimes referred to as light opera. 1 1 100
100626. Music Term: (Fr.) - Operetta. 1 1 100
100627. Music Term: - A musical composition (originating around 1600) consisting of an extended setting of a religious or epic text for chorus, soloists and orchestra for performance in a church or concert hall, although originally oratorios involved scenery, costumes and action. An example is Handel's Messiah of 1742. 1 1 100
100628. Music Term: - A large body of instrumentalists which has developed historically. The first orchestras were variable, but by the baroque period they consisted of strings, oboes and bassoons with other solo instruments. Standardisation took place in the classical period when the orchestra was divided into four sections: strings, woodwind (two flutes, two oboes, two bassoons and clarinets), brass (two horns and two trumpets) and percussion consisting of two kettledrums. The orchestra was greatly expanded in the 19th century to include the harp and other percussion. Some 20th century composers began writing for smaller ensembles (perhaps mainly because of economics). 1 1 100
100629. Music Term: - (1) The art of writing for an orchestra, band, etc., involving great knowledge of tone colours, range of instruments, technical capacities and combinations of instruments, etc. (2) The scoring of a work, originally intended for another medium, for an orchestra. 1 1 100
100630. Music Term: - A medieval type of part-writing based on plainsong and harmonised by either one, two or three parallel parts. 1 1 100
100631. Music Term: - Also called graccs or embellishments, these are notes considered to be an extra embellishment of a melody which are either added spontaneously by the performer or indicated by the composer on the score by signs or notation. In the 17th and 18th centuries, omaments were mostly indicated by signs and they included the trill, mordent, turn, arpeggio and appoggiatura. Composers wrote out ornaments in full in later periods. 1 1 100
100632. Music Term: (It.) - Or. Indicates an alternative passage (usually a simpler version) in a composition. 1 1 100
100633. Music Term: (It., 'obstinate') - A persistently repeated musical figure or rhythm. A basso ostinato or ground bass has this feature in the bass part. otez (Fr.) - Take off. Otez Ies sourdines, take off the mutes. 1 1 100
100634. Music Term: (It.) - Octave. Often written 8ve. All'ottava, at the octave and ottava bassa, an octave lower. 1 1 100
100635. Music Term: - Any notes of the harmonic series are given this name except for the first fundamental. 1 1 100
100636. Music Term: - (1) An orchestral piece preceding an opera, oratorio or play; (2) Since Mendelssohn's Hebrides of 1832, the overture also describes a one movement orchestral piece composed for the concert hall with a non-musical subject. This is also called the concert overture; (3) In the 17th and 18th centuries the French overture (preceding an opera, etc.) was in three movements, slow-quick-slow, and the Italian overture (a precursor of the symphony) also in three movements was quick-slow-quick. 1 1 100
100637. Music Term: - Abbreviaion for piano (It.), soft. Varying degrees of increasing softness are abbreviated as pp, ppp, etc. 1 1 100
100638. Music Term: - (1) Traditionally a play in mime; (2) Nowadays it is a Christmas stage entertainment based on a fairy tale or other traditional source with dialogue, popular songs, costumes and actions (e.g. Snow White). 1 1 100
100639. Music Term: - Schonberg preferred this term to atonality (e.g. music not written in any definite key). 1 1 100
100640. Music Term: - The movement of two or more parts in the same direction while also keeping the same interval between them. 1 1 100
100641. Music Term: (Lat. missa parodia) - A polyphonic mass (e.g. by Palestrina) flourishing in the 16th century based on existing material of a motet or chanson. This term has only been used since the 19th century, however. 1 1 100
100642. Music Term: - The music of a particular voice or instrument in an ensemble. 1 1 100
100643. Music Term: (It.) - Voice-part. 1 1 100
100644. Music Term: - The tones of the harmonic series, the lowest being thefirst partial and the others the upper partials or overtones. 1 1 100
100645. Music Term: (It.) - A suite. This term was much used in the 18th century. In the 17th century, however, a partita was a variation. 1 1 100
100646. Music Term: - Generally a strophic song for several male, female or mixed voices in which there are many singers to a part, with the top part usually having the principal part. Composers include Elgar, Parry and Stanford. 1 1 100
100647. Music Term: - The composing of polyphonic music and the writing of equally good melodic parts. 1 1 100
100648. Music Term: (Fr ) - Step. A pas d 'action is a ballet scene of dramatic nature and a pas de deux is a dance for two. 1 1 100
100649. Music Term: (Sp., 'double step') or paso doble - A modern and quick Spanish dance in 2 / 4 time. 1 1 100
100650. Music Term: - Originally a slow and stately dance appearing in keyboard music of the 17th century. Later the passacaglia was a piece with a theme continually repeated, but not necessarily in the bass, like the chaconne. 1 1 100
100651. Music Term: - A section of a composition, usually with no structural importance. 1 1 100
100652. Music Term: - A note, which may be accented or unaccented, forming a discord with the chord with which it is heard, but is melodically placed between two consonant notes. 1 1 100
100653. Music Term: - This is the Passion of Christ, as accounted by Matthew, Mark, Luke and John, set to music and properly performed during Holy Week. 1 1 100
100654. Music Term: (It., 'pie') - An operatic work with the material drawn from the works of various composers, especially popular in the 18th century. 1 1 100
100655. Music Term: (Fr.) - A piece composed deliberately in the style of another well- known composer. See also pasticcio above. 1 1 100
100656. Music Term: - (I) Alternative name for the madrigal; (2) Any piece representing country life. 1 1 100
100657. Music Term: (It.) - (I) An instrumental movement with long bass notes giving a drone-like effect in 6 / 8 or 12 / 8 time; (2) Obsolete term for a stage entertainment based on a legendary or rustic subject. 1 1 100
100658. Music Term: - Popular in opera, this is a comic song in which words, sung as fast as possible, are often tongue-twisters. Often found in the works of Gilbert and Sullivan. 1 1 100
100659. Music Term: (It.) - A rest (not a pause). 1 1 100
100660. Music Term: - A wait of indefinite length on a note or rest. 1 1 100
100661. Music Term: (Eng.) or pavane (Fr.) - A slow, stately dance usually in duple time dating from the 16th century. It was normally followed by the quicker galliard after about 1550, often employing the same theme. 1 1 100
100662. Music Term: - The fudamental or lowest note of the harmonic series especially applied to the playing of brass instruments. 1 1 100
100663. Music Term: - A note, usually in the bass, which is held below changing harmonies above, with which it may be discordant. 1 1 100
100664. Music Term: - A five note scale, the commonest being without minor seconds (e.g. CDEGA-C...). 1 1 100
100665. Music Term: (It.) - By, through, for (e.g. per archi, for strings). 1 1 100
100666. Music Term: (It., 'losing itself') - Gradually dying away. 1 1 100
100667. Music Term: - A cadence with the chord progression consisting of the dominant (chord V) to the tonic (chord I) which has a 'complete' sound. 1 1 100
100668. Music Term: - These are the intervals of the octave, fourth and fifth. 1 1 100
100669. Music Term: - A sense of pitch which enables a person to identify a note simply by hearing it. 1 1 100
100670. Music Term: - In medieval music, this was triple time. 1 1 100
100671. Music Term: - Popularly known as a round, this is a never-ending canon which is also known as an infinite canon. 1 1 100
100672. Music Term: (Lat., 'perpetually in motion') - A fast piece of music in which a rapid repetitive note-pattern is played throughout. 1 1 100
100673. Music Term: (It.) - Heavy, ponderous. 1 1 100
100674. Music Term: (Fr.) - Little . 1 1 100
100675. Music Term: (It., 'chest') - In musical contexts used as in voci di petto, chest voice. 1 1 100
100676. Music Term: (Ger.) - Fantasy. 1 1 100
100677. Music Term: - A group of notes forming a unit of a melody. To phrase a melody is to observe and mark the divisions of a melody into units or phrases . 1 1 100
100678. Music Term: - A cadence which ends on the dominant of the relative minor. 1 1 100
100679. Music Term: - The mode which, on the white keys of the piano, is represented by E to E. 1 1 100
100680. Music Term: (It.) - At pleasure (e.g. not at any strict speed). 1 1 100
100681. Music Term: (It.) - Pleasantly. 1 1 100
100682. Music Term: (It.) - Plaintively. 1 1 100
100683. Music Term: (It.) - Very soft, with abbreviation pp. 1 1 100
100684. Music Term: (It.) - (1) Soft, abbreviation p; (2) Standard abbreviation in French and English for pianoforte. 1 1 100
100685. Music Term: - (It)soft and loud, abrrev. is piano. 1 1 100
100686. Music Term: (Fr.) - The surprising sound of a major third at the end of a piece otherwise in a minor key thus converting the expected minor chord to a major one. This was a common device up to the mid-18th century . 1 1 100
100687. Music Term: - (It.) - More. Piu lento, slower. 1 1 100
100688. Music Term: (It.) - Somewhat, rather. 1 1 100
100689. Music Term: - Abbreviation of pizzicato. 1 1 100
100690. Music Term: (It.) - Indication to pluck notes on a bowed string instrument. Abbreviation pizz. 1 1 100
100691. Music Term: - A closing cadence consisting of a progression of the subdominant (chord IV) to the tonic (Chord I) sounding like 'Amen'. 1 1 100
100692. Music Term: (from Lat. cantus planus) - Medieval church music usually describing the gregorian chant which still survives today in the Roman Catholic church. It consists of a single, unaccompanied vocal line in free rhythm like speech with no regular bar lengths. 1 1 100
100693. Music Term: (Gk ., ' breath ' ) - A type of florid passage in plainsong sung to a single vowel. 1 1 100
100694. Music Term: (It.) - Very slightly, very little. Diminutive of poco. 1 1 100
100695. Music Term: (It. ) - Very slightly. Superlative of poco. 1 1 100
100696. Music Term: (It.) - Slightly, little, rather. Poco crescendo, getting slightly louder. poco a poco, little by little. 1 1 100
100697. Music Term: (It.) - Then. In the phrase scherzo da capo, e poi la coda it means repeat the scherzo and then go on to the coda. 1 1 100
100698. Music Term: (Fr.) - Point of the bow. 1 1 100
100699. Music Term: - Term taken from painting (referring to pictures using separate dots of colour) and applied to the music of some 20th century composers (e.g. Webern). This described music of a spare and pointed style emplying use of pizzicato. 1 1 100
100700. Music Term: (It.) - See polonaise. 1 1 100


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